Excerpts from Fortunes of the Sea-Sick:
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Dear sir or madam,
You may prick my sides with your yards of countless demanding letters, but never shall I yield to your blunt arrows or cowardly entreaties.
We have mapped utopia, for God's sake we have mapped liberty, mind, heaven, hell, love, hate, women's buttocks and men's breasts, the four poles, the seven seas, the five needs and the one human desire; come now, stir, let us map THE IMPOSSIBLE, let us stake a claim to it, this once, we ragged possessors of absence, fridges full of only cheese and beer, empty bellies and blistered anonymity.
Necessity now permits us to steal life in all its bathos and hubris. We corrupt counts with gilt-coined eyes are in bed with obsession and we will donate our spare, spent and unending lives towards nothing, such as the cartography of THE IMPOSSIBLE, or the surveying of the space of one who goes back to sleep after the alarm clock has rung.
But I must first apologise for every single one of my caustic and camphorous crimes, all fifty-one of them (in prison one has time only for mathematics). Having recently discovered that FOREVER was either postponed, forgotten or abandoned, I have been lost, like that pink-arsed baboon on his escaped polar icecap, drifting up to the crest of the Great Wave off Kanagawa. I'm sad that you're here and I'm not and we grew older without realising it but I accept it. I'm happy that I once heard your laugh, whoever you are. It sounded simple and what some would call innocent, though I've always been sceptical of the motives of that word.
Don't speak to me now. Don't add me on TheirSpace or Facebore, or send a text from out of the distant blackness of the blue. Bedecked in tresses of tinsel and swaying hands, we blunder along the stations of this life in what can only be called progress, however absurd such a notion seems.
We ourselves are maps of strange and sinister districts of towns yet to be constructed. We suffer misery willingly as the accomplishment of our priggish cynicism. We witnesses, silent, motionless and only ever reacting in the negative, we suffer the fates of strangers. The one thing I can be sure of is that this is all I have to say.
Yours in wine,
Anon.
I have no confessions. I cannot quote any passed or overheard remark. I cannot offer a plot with a coherent struggle or narrative involving the correct number of dramatic scenes, frustrations and resolutions. I am waiting only for the time to pass. What is for some the most valuable commodity, sacred in its scarcity, especially in a place like this, is to me nothing else but a burden right now. Visiting hours do not resume for another hour. So I sit here, pacing out a cold cup of coffee.
I've been willing the minutes to pass, the days to pass even. In my own stupid way I want to die, but only very slowly and gradually, so that it causes no great disturbance to anybody.
This may be symptomatic of the congenital Excessive Politeness Disorder (DA) that runs throughout my family. This disorder was originally diagnosed in an obscure 20th century French medical encyclopedia by the forgotten eccentric Ramon Descaux (google his description of 'stomach mice' as well, if you can find it). Descaux called it 'Le Désordre Anglais de politesse', or 'Désordre Anglais' for short. As Descaux puts it (and you'll have to forgive my poor French reading here),
“English Disorder: a manner peculiar though not exclusive to the English, where the sufferer is determined not to infringe or cause “bother“ to the others, usually co-workers or the family members. This results in apologising frequently for any request or difficulty during conversation, even when it is justified or necessary in the fact of circumstance.
“e.g. Barrington: I am ever so sorry my dear, but please can you move your feet so that I can clean the spilt lager beer beneath them?
Coralie: Ok.
Barrington: Ooh, excuse me! Oops! Pardon me. Oops! Thank you, thank you. I'm so sorry for bothering your television-viewing.
Coralie: Sacre bleu!
“It results either in a pathetic display of obsesquieousness and servility which only irritates others, or a persecution complex where the sufferer scurries around with the constant paranoiac fear that all despise him. This fear is aggravated by the contempt this deference causes. One sufferer became fixated with images of St. Sebastian. Another found erotic gratification in working as a bell-boy in a decaying city-centre hotel...“
I know that anxious consternation about the impression you make on your peers is generally an adolescent obsession, angst. But I think shit only in this: I am a ghost and I glide through wherever I go like a cold breeze, causing only disturbance in some, indifference in most, and comfort for ther very few who are genuinely and beautifully strange. I am too thin, too quiet and too vague for mortal, fleshy persons; I rarely get the jokes and I'm too gangley and finger-tangled to relax in the company of anyone. Like literary ghosts I am invisible to the world, unable to be heard, and I haunt one or two, obtainable ideals, regret and the like.
We are a chance party of restrained baboons, with hands either holding up our chins or fidgeting in our pockets.
I observe this fact in environs neither clean nor lush, an east london public library where men gather for the warmth, free newspapers and computers. My day was unwanted and I was eager to see it pass through without event, though I was bereft of better alternatives for my life. I know this is best I'll find for now. The fact I do not feel profound despair or anxiety has to be to its credit, though I'm a little sore at this anhedonia.
I want education without the neckache, so I flick throughpages of well-regarded poets who have read far more old books than me. It's a mixture of bad jokes and invocations to dusty public school mythologies. I weep for a dearly-beloved cup of tea I consumed all too greedily earlier that day. (All our loves are snuffed as such, similar giddy rush and bitter aftertaste). I know I'm at war with time, and the more freedom I have the more I'll regret in times ahead what little I did with it.
“I sat stewing, mother. I paid homage to the common saints and grew base by degrees.“
Meek and mawkish junior stars
Insipid and Topshop-thin, think
Nothing is,
Except for the win -
The baby blankets
Youthful ambition's wrapped within.
Age is four-score nonsense.
Here, amidst concrete study blocks,
Bamboo garden furniture and papercups
You'll see everything blooms once
And only once
The rent is spent and the dreams are bent
The students loll around outside libraries
And said study blocks,
As beautiful and vague as idle flowers
Daddy's go-getting swine lunging to
Lick the ears of the
Quiet, obtainable ones,
Cider cans find use in urine or ash depositories,
Some man's fingers provide source of olfactory entertainment
Similarly: ideals are expressed solely
In the choice of hair and clothing .:
Furthermore, op. cit. page 94...
“I confess I thought very little round that time“
Lies spluttered splenetically in the new pubs:
In debates over dark matter,
Some bathetic sod reveals
Contemplation of own heart provokes digust.
Ingenious winner had to switch off the depressing news.
Liar! Liar!
Word exploiters dressed in primary colours,
I admire your idleness.
Defy all calls to make the most of it, or
Just get on with it – these are the words
Of just quite-so breathing bores
They live as double-negatives: cash-lit, touchpad faces.
Time without direction makes me anxious.
Myself and a cold cup of coffee
Find ourselves waiting here for precisely nothing.
I have no nails left to eat.
Without pleasure or pain I rip
Rip my failings, arranging the shreds in careful pyramids.
Childlike flaneur pens truth on curdled cream paper:
I admit the modern person is forever moving,
And the modern delusion is that somehow
Every movement can matter,
One step further
From ever-encroaching failure
But I only get Sundays for this pleasure
And I never notice that flowers are forever occupied
With being beautiful, the love with which they bloom and
Expel their seed, and though plucked so easily,
For a moment they are wonderful,
Perhaps, possibly, that's what matters.
All texts © Dan Taylor